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Fernand Michaud (1929-2012), 1981, Festival d'Avignon · Bibliotheque nationale de France, via Wikimedia Commons · Public domain (released into the public domain by the photographer)
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Sources
- Pina Bausch
- Pina Bausch (Q155538)
- Deirdre Mulrooney, "The Fine Art of Questioning" (doctoral thesis chapter on Bausch's choreographic method) -- an independent scholarly analysis that itself quotes, as primary embedded testimony, Bausch's own words, company dancers Finola Cronin and Nazareth Panadero, writer Alice Schwarzer's on-the-ground observation of rehearsals, and Bausch's longtime dramaturg/collaborator Raimund Hoghe. These embedded quotes are cited here AS QUOTED IN Mulrooney's chapter, not independently re-verified against their original interviews/publications. Fully read in this cycle.
- Interview with Josephine Ann Endicott, Pina Bausch Foundation archive (6/6/2023) -- a firsthand account from a company dancer and rehearsal director present since the company's founding, describing specific named incidents from 'Blaubart' and 'Die sieben Todsunden' (The Seven Deadly Sins). Hosted by the Pina Bausch Foundation, an institution dedicated to Bausch's legacy -- used cautiously per this project's hagiography-skepticism instruction, but the content is a third-party dancer's own testimony (including a moment of her directly refusing Bausch), not company-authored characterization of Bausch herself. Fully read in this cycle.
- "On Pina Bausch's Legacy: an interview with Dominique Mercy", Revista Brasileira de Estudos da Presenca -- an independent, peer-reviewed Brazilian academic dance-studies journal, unaffiliated with the Pina Bausch Foundation or Tanztheater Wuppertal. Mercy was a founding company member who worked continuously with Bausch from 1973 until her death. Fully read in this cycle.