

Photo: George C. Cox, 1887, Library of Congress Prints and Photographs Division (public domain) · Wikimedia Commons, 'Walt Whitman by George C. Cox cph.3b20763.jpg' -- photograph of Walt Whitman by George C. Cox, 1887, the Library of Congress Prints and Photographs record cph.3b20763 (Commons source field {{LOC-image|id=cph.3b20763}}). Uploaded to Commons 6 February 2013 (SHA-1 15638c65 matches the downloaded file). Original 1188 x 1494 pixels (grayscale scan, 760,410 bytes); saved here downscaled once to 954 x 1200 pixels, no crop, never upscaled. The unrestored LOC scan was chosen over the featured restoration so that no restorer attribution applies. · Public domain (published 1887 in the United States, before 1930; photographer George C. Cox died in 1903, so the term of life plus 70 years has also expired)
poet · 19th Century
Walt Whitman
1819–1892
Known For
Not yet included in personality matching — the documented evidence doesn't yet cover enough of the personality model. Everything else on this page is fully available.
Trait Constellation
Key Achievements
In 1855, with no publisher willing, he paid to print the twelve-poem first Leaves of Grass, in a new unrhymed free-verse style. Emerson called it "the most extraordinary piece of wit and wisdom" America had yet contributed, and Britannica calls it a landmark of American literature.
He kept revising and enlarging the book for the rest of his life: nine volumes titled Leaves of Grass, six of them true editions by the Whitman Archive's count. The 1881 edition fixed the final order of its 293 poems.
Drum-Taps (1865), written during his Civil War years in Washington, includes the Lincoln elegy "When Lilacs Last in the Dooryard Bloom'd". The Poetry Foundation lists Pound, Williams and Ginsberg among the poets he later influenced.
Moments That Reveal Them
In 1855 he sold a house to pay for the first Leaves of Grass, chose the typeface and layout with the Rome brothers, set about ten pages of type himself, and came to the Brooklyn print shop most mornings to work on proofs.
Consistent with a self-starter who made his own route into print when no publisher offered one, and who cared about how the book was physically made. Proactive Agency
For the 1856 edition he printed Emerson's private letter without asking him, and added nine reviews of the first edition, two of them his own unsigned writing, alongside puzzled and negative ones.
Consistent with an energetic self-promoter whose publicity cost him goodwill, since Emerson was reported angry, while his willingness to print hostile reviews shows a tolerance for open controversy. Persuasiveness
Turning Points
Before 1855 he had worked as a printer, teacher, journalist and editor, publishing sentimental stories and poems that showed almost no literary promise; in the spring of 1855 he printed the first Leaves of Grass in a new style instead.
Consistent with a creative break in which he abandoned the conventional verse of his earlier writing for a form of his own. Creative Originality
Similar People
People whose overall profiles resemble theirs.


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Sequoyah
Sources
- Walt Whitman (Q81438) -- verified live via the Wikidata API (2026-10-22): English label 'Walt Whitman', description 'American poet, essayist and journalist (1819-1892)', born 31 May 1819, died 26 March 1892, citizenship United States, Korean label present. Orientation only; not used as support for any row.
- Poetry Foundation, 'Walt Whitman' (biography page, poetryfoundation.org) -- read in full: Leaves of Grass (1855, 1891-2) as his monumental work, regarded with Emily Dickinson as one of America's most significant nineteenth-century poets, an influence on later poets including Ezra Pound, William Carlos Williams and Allen Ginsberg; self-published first edition of twelve poems that underwent eight subsequent editions as he expanded and revised it; Emerson's 'most extraordinary piece of wit and wisdom' verdict; his own enthusiastic review; critics' unease at style and subject (citing The Longman Anthology of Poetry on abandoning regular metre and rhyme); dismissal from the Department of the Interior after publication; warmer reception in England; Civil War clerking and hospital visits leading to Drum-Taps (1865) with the Lincoln elegy. CANONICAL SIGNIFICANCE SOURCE (his primary historical contribution). Institutional, admiring in tone; the 'first writer of a truly American poetry' line was not used as a card claim.
- Britannica, 'Walt Whitman' by Alexander Norman Jeffares (last updated 8 September 2026) -- read in full: printer, schoolteacher, journalist and editor before 1855; sentimental early stories and poems that 'showed almost no literary promise'; unable to find a publisher, he sold a house and printed the first Leaves of Grass at his own expense with no author or publisher name on the title page; the financial failure of the 1856 edition; the greatly enlarged 1860 edition from a Boston publisher bankrupted by the Civil War; Civil War hospital visiting; his June 1865 dismissal from the Interior Department because the Secretary thought the book indecent; and its verdict that the book is a landmark of American literature written in a new form of free verse. Independent reference biography; the passage on the 1860 Calamus poems' private meaning was not used.
- Walt Whitman Archive (University of Nebraska-Lincoln), encyclopedia entry ''Leaves-Droppings' [1856]' by John Reitz -- read in full (via an Internet Archive copy, because whitmanarchive.org refuses automated requests): the appendix to the 1856 edition that printed Emerson's private letter without his permission, followed by Whitman's own 3,800-word reply that 'baldly exaggerates' the first edition's popular success; nine reviews of the 1855 book of which two (from the Brooklyn Daily Times and the American Phrenological Journal) were written, though unsigned, by Whitman himself; his inclusion of puzzled, mixed and flatly negative reviews; and the scholar's judgement that it shows the 'shamelessness and skill' of his early promotion. Scholarly encyclopedia entry; critical as well as factual.
- Walt Whitman Archive, encyclopedia entry 'Rome Brothers, The' by Jan Whitt -- read in full (via an Internet Archive copy): as a printer and editor Whitman placed high demands on those who worked in publishing and had assessed Brooklyn printers three years earlier; the Rome brothers printed 800 copies of the 1855 edition while letting him supervise, consult on typeface, ink, paper and layout, and set about ten pages of type himself; he selected a typeface from Scotland (12 pages of Preface in 10-point, 83 pages of poems in 12-point), came to the shop most mornings that spring to work on proofs, and wrote the Preface there. Scholarly encyclopedia entry built on standard biographies.
- Walt Whitman Archive, encyclopedia entry 'Leaves of Grass, 1891-92 edition' by R. W. French -- read in full for the editions record (via an Internet Archive copy): the authentic editions Whitman compiled were 1855, 1856, 1860, 1867, 1871 and 1881; the 1891-92 'Deathbed edition' is strictly an impression reprinting the 1881 text with twenty-three minor revisions (spelling, punctuation) and annexes; in 1881 the 293 poems, seventeen of them new, were given their final order and the 'clusters' extensively revised since the 1860 edition were fixed; later poems were issued as annexes (Sands at Seventy, Good-Bye my Fancy) rather than integrated. Scholarly bibliographic account; it corrects the common 'deathbed edition' framing.
- [Rufus W. Griswold, unsigned], review of Leaves of Grass (1855), The Criterion, 10 November 1855, as transcribed by the Walt Whitman Archive (anc.00016; via an Internet Archive copy) -- read in full: a hostile contemporary review that calls the book 'a mass of stupid filth' and deplores its disregard of 'decencies'. Hostile counter-voice used only to show how strongly the work was resisted; its insults and allegations about the author were not used for any row.
- [Charles Eliot Norton, unsigned], review of Leaves of Grass (1855), Putnam's Monthly, September 1855, as transcribed by the Walt Whitman Archive (anc.00011; via an Internet Archive copy) -- read: a sceptical contemporary review calling the poems 'a curious and lawless collection', 'neither in rhyme nor blank verse, but in a sort of excited prose broken into lines', with slang and 'terms never before heard or seen', while quoting the Preface so that 'the writer' states his own theory. Independent critical voice that nevertheless documents the formal novelty.
- [Walt Whitman, unsigned], 'Walt Whitman and His Poems', The United States Review, September 1855, as transcribed by the Walt Whitman Archive (anc.00176; via an Internet Archive copy) -- opening read: an unsigned review of his own book that opens 'An American bard at last!' and presents the author as 'one of the roughs'; the Archive lists it under Whitman's name with the note 'unsigned in original'. Self-authored promotion, used only as direct evidence of the promotional behaviour, never as evidence of the poems' quality.
- [George Eliot, unsigned], 'Transatlantic Latter-Day Poetry', The Leader, 7 June 1856, as transcribed by the Walt Whitman Archive (anc.00027; via an Internet Archive copy) -- opening read: a British review of the 1855 book that calls the author 'one of the most amazing, one of the most startling, one of the most perplexing, creations of the modern American mind', says he is 'no fool' though 'abundantly eccentric', and observes that the book contains much that can be fairly ridiculed. Independent, mixed contemporary voice.
- PBS American Experience, 'Walt Whitman and the Civil War' -- read in full: Whitman went to Washington in December 1862 looking for his wounded brother; made hospital rounds as a volunteer with small gifts and by listening, soliciting donations and funding them partly from his clerk's salary; published newspaper pieces on the hospitals; finished Drum-Taps in 1865 and added the Lincoln poem and then 'When Lilacs Last in the Dooryard Bloom'd'; the hospital years gave him purpose and new inspiration for his art. Public-television history feature; admiring in tone. Used only for the Drum-Taps background, not for any behavioural row (the hospital visits are care work, not scored).
- Brown Alumni Magazine, 'Song of Himself' (2007) -- read in full: Brown's John Hay Library holds Whitman's own copy of the 1855 Leaves of Grass with anonymous galley-proof reviews pasted in ('An American bard at last!'), which scholars believe he wrote, and a broadside of Emerson's letter printed in the New York Tribune without Emerson's permission; Brown owns one copy of each of the nine lifetime editions. Short magazine item citing a librarian's belief, so it only corroborates the Archive.
